Reefer Song [If You're a Viper] - Fats Waller (1943)

Publication Year: 
1943

Image retrieved from planetbarberella.blogspot.ca on March 8th, 2014.
Text retrieved from wikipedia.org on March 8th, 2014.
Date and cause of death retrieved from wikipedia.org on March 8th, 2014.

Fats Waller
May 21, 1904-Died: Dec 15, 1943
Official Cause of Death: Pneumonia

Fats Waller Sticks it to Anslinger

Waller's 1943 recording of the song (titled "The Reefer Song" in its eventual release) was a subtle poke at Harry Anslinger, the first head of the Federal Bureau of Narcotics, who had declared marijuana use by swing musicians a menace and had promised to prosecute.[8] During World War II it was harder to get American albums pressed, because of a shellac shortage created by the war effort. But in 1943 Armed Forces Radio frequently invited jazz musicians to play for the troops overseas and made "V-Discs" ("Victory Discs") for distribution as a morale booster.

Waller recorded a V-Disc a little over two-weeks after Anslinger vowed to go after pot-smoking musicians (he and others believed that some musicians were deliberately smoking marijuana to obtain "drug addict" deferments to avoid the draft). Waller decided to use the occasion as a way to reflect his puckish contempt for the man. "The reefer cats were aware of their outcast status; in fact, they seemed to relish it. They had created a self-contained culture, and squares like Anslinger were no match," Larry Sloman writes in Reefer madness: the history of marijuana in America. "This brash disdain for the square world's imperatives was nowhere demonstrated more clearly than in the conduct of Fats Waller."[8]

In response to Anslinger's calls for "swing band" arrests Waller decided to record "If You're a Viper," and included an intro that threw only the thinnest of veils over the song's subject. "Hey, cats, it's four o'clock in the mornin'. I just left the V-Disc studio. Here we are in Harlem. Everybody's here but the police, and they'll be here any minute. It's high time, so catch this song," Waller says. "The gumshoes at the Bureau and the Army brass let that one slip right by them, but the guys in the barracks caught the drift, especially those stationed in the Phillippines, where the weed was said to be excellent," Sloman writes.[8]

Strong evidence, however, suggests Sloman is wrong that the tune slipped past the censors and it seems likely the recording didn't become public until after the war. An article in Goldmine, a magazine for record collectors, says the army did not press the Viper recording for release to the troops. "Ain't Misbehavin'" got pressed, but not "You're A Viper (The Reefer Song)," it says. The article goes on to quote the sound engineer for the session, Ed DiGiannantonio: "We did the session with Fats Waller... When he first got to the studio, he demanded a bottle of VAT-69, which is not hair tonic. And he started playing the piano, and he was okay for a while. Then he consumed the second bottle, and out of the 22 songs, we only used about 8 or 9 of them, because he got very sloppy and started using a few words you shouldn't use."[11] Duty, Honor, Applause, a book about US entertainers during WWII, also strongly implies that Viper didn't make the cut. "Jazz legend Fats Waller recorded 22 songs for V-Discs, but only nine were deemed usable. Censors thought the other thirteen "too risque for for young GI's ears,' wrote Gregory Spears in a December 23, 1990, article for the Houston Chronicle. Waller plied himself with a bottle of Vat-69 Scotch during each recording session, and the drunker he got, the more suggestive his songs became. His last recordings... included "The Reefer Song," an ode to marijuana."[12]

[8] Reefer madness: the history of marijuana in America, Larry Sloman, Macmillan press, chapter 9, 1998
[11] V-Disc Records (1943-1949) Goldmine Magazine, Chuck Miller, Feb. 1999, hosted at Chuck Miller's website
[12]Duty, Honor, Applause: America's Entertainers in World War II, Gary Bloomfield, Stacie Shain, Arlen Davidson, pg. 442, Globe Pequot, 2004

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